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 | 848 Days Ago
Hints on Writing Short Stories by Charles Joseph Finger (1922). In the first place, there must be Sincerity. Without that nothing can be done. Sincere work will be good work, and sincere work will be original work. With sincerity, you will have honesty and simplicity, both of which are cardinal virtues in the literary man. Also, with sincerity there will be courage. You know, as well as I know, that when you meet an in- sincere man, you detect him at once. Were you ever deceived, for instance, by the rounded periods of some political rhetorician? Perhaps for a moment you may have been carried away in spite of your better sense, but, certainly, the effect was not lasting. Examining yourself, you will certainly remember that before you could persuade others, you had to be thoroughly convinced of the essential right of the thing itself. In the same fashion then, you must be persuaded of the truth of that which you wish to be accepted when writing. I do not speak of controversial matters. I write of fiction. You must have so thoroughly identified yourself with your characters that they are as living creatures to you. Then only shall they be living characters to your readers. If you have read the Pickwick Papers and have learned to know and love Samuel Pickwick, you will know exactly what I mean. In that character, the young Charles Dickens lost himself. In creating Mr. Pickwick he was entirely sincere. He watched the character grow from a somewhat simple-minded old gentleman to a lovable, jolly fellow to meet whom you would walk half round the world. Pick- wick was real to Dickens; therefore he is real to us. Observe this too; he had his faults. Mr. Pickwick would not have been considered rna good or a moral character to many of the “unco guid” of today. He often drank too much. Had there been nation wide prohibition in England in his day, he would certainly have drunk home brew with Ben Allen and Bob Sawyer exactly as he went to prison for conscience sake. He and his companions enjoyed the pleasures of the table too well for latter day tastes. He was obstinate on occasion, just as I am obstinate. Had Dickens been insincere, he might have been tempted to sponge out the bad spots in his character. But then he would have given us something that was not a man. The truth is that we want something of the sensuous and the gross in those about us. None of us want to live with angels and saints. So we reject instinctively as impossible and unpleasant, those perfect, etherealized creations some times found in stories — those returns all compounded of nobility, courage, beauty, generosity and wisdom which insincere writers try to foist upon us. They do not ring true. We detect their hollowness just as we detect the hollowness of the flamboyant boastings of the political orator.
 | 857 Days Ago
The Elements of the Short Story by Edward Everett Hale and Fredrick Thomas Dawson, (1915). The legend of Sleepy Hollow, by W. Irving.--Rip Van Winkle, by W. Irving.--Irving as a story writer.--The great stone face, by N. Hawthorne.--Ethan Brand, by N. Hawthorne.--Hawthorne as a story writer.--The fall of the house of Usher, by E. A. Poe.--The murders in the Rue Morgue, by E. A. Poe.--Poe as a story writer.--The diamond lens, by F.-J. O'Brien.--The man without a country, by E. E. Hale.--The outcasts of Poker Flat, by F. B. Harte.--Some recent stories. I. The Legend of Sleepy Hollow. . .Washington Irving - II. Rip Van Winkle Washington Irving - III. Irving as a Story Writer - IV. The Great Stone Face. . .Nathaniel Hawthorne V. Ethan Brand . . .Nathaniel Hawthorne - VI. Hawthorne as a Story Writer - VII. The Fall oe the House of Usher .Edgar Allan Poe - VIII. The Murders in the Rue Morgue. Edgar Allan Poe - IX. Poe as a Story Writer - X. The Diamond Lens - Fitz-James O'Brien - XI. The Man Without A Country . . . Edward Everett Hale - XII. The Outcasts of Poker Flat. . .Francis Bret Harte. - XIII. Some Recent Stories rn
 | 857 Days Ago
The Short Story by William Patterson Atkinson, (1916). Bibliography: p. xxv. Contains references. Washington Irving: Rip Van Winkle.--Edgar Allan Poe: The gold bug, The purloined letter.--Nathaniel Hawthorne: Howe's masquerade, The birthmark.--Francis Bret Harte: The outcasts of Poker Flat.--Robert Louis Stevenson: The Sire de Malétroit's door, Markheim.--Rudyard Kipling: Wee Willie Winkie. I. Definition and Development rnII. Forms - III. The Short-story as Narration - IV. Representative Short-stories
 | 860 Days Ago
Short Stories in the Making: a writers' and students' introduction to the technique and practical composition of short stories, including an adaptation of the principles of the stage plot to short story writing. By Robert Wilson Neal (1914).
 | 861 Days Ago
Writing the Short-Story: A PRACTICAL HANDBOOK ON THE RISE, STRUCTURE, WRITING AND SALE OF THE MODERN SHORT-STORY by J. Berg Esenwein (Joseph Berg), (1909).
 | 876 Days Ago
Hieroglyphic Tales by Horace Walpole: Hieroglyphic Tales by Horace Walpole: As the invaluable present I am making to the world may not please all tastes, from the gravity of the matter, the solidity of the reasoning, and the deep learning contained in the ensuing sheets, it is necessary to make some apology for producing this work in so trifling an age, when nothing will go down but temporary politics, personal satire, and idle romances. The true reason then for my surmounting all these objections was singly this: I was apprehensive lest the work should be lost to posterity; and though it may be condemned at present, I can have no doubt but it will be treated with due reverence some hundred ages hence, when wisdom and learning shall have gained their proper ascendant over mankind, and when men shall only read for instruction and improvement of their minds. As I shall print an hundred thousand copies, some, it may be hoped, will escape the havoc that is made of moral works, and then this jewel will shine forth in its genuine lustre. I was in the greater hurry to consign this work to the press, as I foresee that the art of printing will ere long be totally lost, like other useful discoveries well known to the ancients. Such were the art of dissolving rocks with hot vinegar, of teaching elephants to dance on the slack rope, of making malleable glass, of writing epic poems that any body would read after they had been published a month, and the stupendous invention of new religions, a secret of which illiterate Mahomet was the last person possessed.
 | 883 Days Ago
How to Write a Short Story: An Exposition of the Technique of Short Fiction (1906) - The material in the following pages is a series of suggestive talks rather than a scholarly discourse. I leave to others the discussion of polish, atmosphere, and artistic handling; I take for my theme the writing of a short story that will sell.
 | 883 Days Ago
How to Write Short Stories (1921) - Chapter I. Common Sense in Viewing One's Work. Chapter II. The Necessary Mental Equipment. Chapter III. Finding Time and Material. Chapter IV. Hints for Equipping The Shop. Chapter V.Common Business Sense in Meeting the Market. Chapter. VI. The Great Art of Story Writing: Construction. Chapter VII. The Great Art of Story Writing : Style. Chapter VIII. The Great Art of Story Writing: Adaption of Style to Material. Chapter IX. The Great Art of Story Writing: The Element of Suspense — Viewpoint. Chapter X. The Great Art of Story Writing: Characterization. Chapter XI. The Great Art of Story Writing : Plots. Chapter XII. Using Acquaintance as Material. Chapter XIII. The Author's Personal Responsibility. Chapter XIV. The Editors. Chapter XV. Criticism. Chapter XVI. Help from Other Writers. Chapter XVII. When You're Tempted to Shut Up Shop. Chapter XVIII. The Business of Writing — A Summing Up.


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